Enrico Dandolo and the Crusaders in Saint Mark’s Basilica
Palazzo Ducale (The Doges’ Palace)
The telero (large painting), that Saraceni was not able to complete because he died first and that was completed by his French pupil Jean Leclerc, was the most important order received by the painter in his city.
The scene portrays a historical event: the time when Doge Enrico Dandolo (1107-1205) swore his oath in view of the IV Crusade which lasted from 1202 to 1205 and that, in addition to the conquest of Constantinople, returned to Venice the cities of Trieste, Muggia and Zadar.
The Doge is portrayed on the top left, inside a loggia over the iconostasis of Saint Mark’s Basilica, whose columns and statues of the Apostles are represented by the sides of the Crucifixion; all around, the church swarms with figures, mostly of Crusaders going to war. Amidst them, overhead, the Venice Patriarch stands out.
Trivia: the famous illustrator Gustave Dorè, who portrayed the same subject, exactly drew the detail of the Saint Mark loggia in his etching.
VENEZIA ● PALAZZO DUCALE ● PALAZZO DUCALE VENEZIA ● CARLO SARACENI ● ENRICO DANDOLO E I CROCIATI NELLA BASILICA DI SAN MARCO ● DANDOLO
COMMENTI
LE OPERE
La nascita della Vergine
1617 | Affresco
Santa Cecilia e l'angelo
1610 | Olio su tela
Madonna col Bambino e sant’Anna
1610 | Olio su tela
San Rocco e l'angelo
1604 | Olio su tela
Ambascerie orientali
1616 | Affresco
Estasi di San Francesco d'Assisi
1620 | Olio su tela
Enrico Dandolo e i Crociati nella Basilica di San Marco
1620 | Olio su muro
Transito della Vergine
1612 | Olio su tela
San Carlo Borromeo porta in processione il chiodo della croce
1618 | Olio su tela
Banchetto del ricco Epulone
1605 | Olio su tela
Martirio di San Lamberto
1618 | Olio su tela
Miracolo di San Benno
1618 | Olio su tela
Caduta di Icaro
1606 | Olio
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