The Crucifixion
It has been proposed that this Crucifixion, like two panels also in The Frick Collection portraying an Augustinian monk and nun, originally formed a part of Piero’s S. Agostino altarpiece. The first known reference to The Crucifixion is found in a seventeenth-century document listing paintings in a collection at Borgo Sansepolcro. The Crucifixion is described there in considerable detail, together with three other subjects: a Flagellation, a Deposition, and a Resurrection, all three now lost. The writer did not claim that these panels came from the S. Agostino altarpiece, although in the same collection were four larger panels of standing saints that he specified did come from the high altar of S. Agostino. While he names only St. Michael and St. Augustine correctly, these larger panels may be identified with the four saints discussed in the entry on Piero’s St. John.
COMMENTI
LE OPERE
Il Battesimo di Cristo
1450 | Tempera su tavola | 116 x 167 cm.
Il sonno di Costantino
Affresco
Pala di Brera o Pala Montefeltro
Tempera su tavola
San Nicola da Tolentino
1454 | Tecnica mista
Ritratto dei Duchi di Urbino
1465 | Olio su tavola | 47 x 33 cm.
Flagellazione di Cristo
1460 | Tempera su tavola | 58 x 81 cm.
Madonna del Parto
1455 | Affreschi | 260 x 203 cm.
La Vergine con il Bambino e i Santi
1469 | Tecnica mista | 170 x 248 cm.
Polittico della Madonna della Misericordia
1445 | Olio su tavola | 330 x 273 cm.
Ritratto di Sigismondo Pandolfo Malatesta
1451 | Tecnica mista | 34 x 44 cm.
La Crocifissione
1454 | Tempera su tavola | 41 x 37 cm.
Map
Works in Italy
Works around the world