Bisca Vascellari
From 21 Febbraio 2018 to 21 Marzo 2018
Rome
Place: Basement Roma
Address: via RIcciotti 4
Telefono per informazioni: +39 06 9435 8667
E-Mail info: hello@basementroma.com
Official site: http://basementroma.com
For BISCA VASCELLARI, a solo show at BASEMENT ROMA, Nico Vascellari takes over the Roman underground spaces from February, 21 to March, 21 for a series of ve evening events. The rst four dates are limited to 33 participants by invitation or booking only, while the last night will be a special event, yet to be revealed.
Hidden from passersby with a private club likeness, BISCA VASCELLARI converts the exhibition space into a place of entertainment and escapism. By entering the dark and smoky setting conceived by the artist, the audience becomes complicit in a clandestine dimension and accepts roles and rules that question the traditional use of exhibition spaces, conventions, and hierarchies. Use of mobile phones is not permitted, and guests are not allowed to take photos or videos.
Vascellari evokes the shady atmosphere of gambling houses, from European villa- ges in the Middle Ages to tucked away alleys in our modern metropolis. Re ecting upon the economy of the contemporary art system, the artist stages a veritable dynamic of monetary transaction, based on fortune and chance rather than strategy and calculations.
In a true performative tradition, the show centers the audience as the absolute protagonist and essential component to activate the works. The ritual and playful dimensions overlap and combine. The artist is a tempting devil that galvanizes the darkest, most irrational, and instinctive side of the public. The intention is to break loose from the rules of reality and embrace those of the game, and to question the spectator’s role to allow them to become the main actor of the show.
Nico Vascellari. A selection of solo shows and performances: MAXXI, Museo delle Arti del XXI secolo, Rome (June 2018); Palais de Tokyo, Paris (2017); Whitworth Art Gallery, Manchester (2016); Villa Medici, Rome (2016); Estorick Collection, London (2016). A selection of group shows: Museion, Bolzano (2016); Museo Del Novecento, Milan (2016); National Art Gallery, Tirana (2015); Fondation Beyeler, Basilea (2014). Nico Vascellari ha preso parte a Manifesta7 Rovereto (2008), alla15a Quadriennale di Roma (2008), e alla 52. Esposizione Internazio- nale, La Biennale di Venezia, Padiglione Italia (2007).
Hidden from passersby with a private club likeness, BISCA VASCELLARI converts the exhibition space into a place of entertainment and escapism. By entering the dark and smoky setting conceived by the artist, the audience becomes complicit in a clandestine dimension and accepts roles and rules that question the traditional use of exhibition spaces, conventions, and hierarchies. Use of mobile phones is not permitted, and guests are not allowed to take photos or videos.
Vascellari evokes the shady atmosphere of gambling houses, from European villa- ges in the Middle Ages to tucked away alleys in our modern metropolis. Re ecting upon the economy of the contemporary art system, the artist stages a veritable dynamic of monetary transaction, based on fortune and chance rather than strategy and calculations.
In a true performative tradition, the show centers the audience as the absolute protagonist and essential component to activate the works. The ritual and playful dimensions overlap and combine. The artist is a tempting devil that galvanizes the darkest, most irrational, and instinctive side of the public. The intention is to break loose from the rules of reality and embrace those of the game, and to question the spectator’s role to allow them to become the main actor of the show.
Nico Vascellari. A selection of solo shows and performances: MAXXI, Museo delle Arti del XXI secolo, Rome (June 2018); Palais de Tokyo, Paris (2017); Whitworth Art Gallery, Manchester (2016); Villa Medici, Rome (2016); Estorick Collection, London (2016). A selection of group shows: Museion, Bolzano (2016); Museo Del Novecento, Milan (2016); National Art Gallery, Tirana (2015); Fondation Beyeler, Basilea (2014). Nico Vascellari ha preso parte a Manifesta7 Rovereto (2008), alla15a Quadriennale di Roma (2008), e alla 52. Esposizione Internazio- nale, La Biennale di Venezia, Padiglione Italia (2007).
SCARICA IL COMUNICATO IN PDF
COMMENTI
- Dal 16 novembre 2024 al 11 maggio 2025 Asti | Palazzo Mazzetti
- Dal 16 novembre 2024 al 08 dicembre 2024 Venezia | Arsenale Nord
- Dal 16 novembre 2024 al 09 febbraio 2025 Milano | Museo Diocesano Carlo Maria Martini
- Dal 16 novembre 2024 al 16 dicembre 2024 Bologna | Collezioni Comunali d'Arte Palazzo d'Accursio
- Dal 31 ottobre 2024 al 24 febbraio 2025 Milano | Fondazione Prada
- Dal 31 ottobre 2024 al 02 febbraio 2025 Arezzo | Galleria d’Arte Contemporanea / Sala Sant’Ignazio