Multiple Vedova

From 31 Maggio 2013 to 13 Ottobre 2013
Venice
Place: Ca’ Pesaro - Galleria Internazionale d’Arte Moderna
Address: Santa Croce 2076
Times: 10am - 6pm (tickets from 10am to 5pm); closed on Monday
Responsibles: Germano Celant
Organizers:
- Fondazione Emilio e Annabianca Vedova
Ticket price: full price € 10, reduced € 7,50
Telefono per prevendita: 848082000
Telefono per informazioni: +39 041 42730892
E-Mail info: info@fmcvenezia.it
Official site: http://capesaro.visitmuve.it
This year, Emilio Vedova will be speaking to the whole of Venice, his works will be “living” in some of the most prestigious cultural venues of the city.
These venues include three “cult” museums – the Museo Correr, Ca’ Rezzonico – Museum of the 18th century Venice and Ca’ Pesaro, International Gallery of Modern Art – whose permanent collections will “open up” to an extraordinary “meeting-cum-confrontation” with the work of the great Venetian painter through a common denominator called “Vedova Plurimo”.
This is the title of the project promoted with the collaboration of the Fondazione Emilio e Annabianca Vedova and curated by Germano Celant, and its aim is to encourage visitors to take a fresh look at Vedova’s masterly works in the light of Venice’s art history which has inevitably permeated his own extraordinary personality as an artist.
In the entrance hall on the ground floor of Ca ‘Pesaro, revisited in the layout, curated by Gabriella Belli, in collaboration with Silvio Fuso and with exhibition project by Daniela Ferretti, will be visible from May 31 Plurimo 1964, donated to the museum by the artist in 1967 and Plurimo Omaggio a Dada Berlin 1964/1965, both made in Berlin, where Vedova lived for nearly two years between 1964 and 1965.
These venues include three “cult” museums – the Museo Correr, Ca’ Rezzonico – Museum of the 18th century Venice and Ca’ Pesaro, International Gallery of Modern Art – whose permanent collections will “open up” to an extraordinary “meeting-cum-confrontation” with the work of the great Venetian painter through a common denominator called “Vedova Plurimo”.
This is the title of the project promoted with the collaboration of the Fondazione Emilio e Annabianca Vedova and curated by Germano Celant, and its aim is to encourage visitors to take a fresh look at Vedova’s masterly works in the light of Venice’s art history which has inevitably permeated his own extraordinary personality as an artist.
In the entrance hall on the ground floor of Ca ‘Pesaro, revisited in the layout, curated by Gabriella Belli, in collaboration with Silvio Fuso and with exhibition project by Daniela Ferretti, will be visible from May 31 Plurimo 1964, donated to the museum by the artist in 1967 and Plurimo Omaggio a Dada Berlin 1964/1965, both made in Berlin, where Vedova lived for nearly two years between 1964 and 1965.
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