Minute de veritè

Six men are visual artists, literary authors, investigators relations between words, texts and images. Artists Minute de vérité work on the idea that testing can become a means of individual empowerment; represent sounds and phrases you hear or read, the thoughts that arise in their mind, the passage of time living in first person.

Remained consistent throughout life to their longings of researchers, always on the edge and at the forefront to test all possibilities of making art, develop different poetic respectively.

For Carlo Alfano painting was a private experience where the literary and visual, writing and image, voice and formal structure create continuous shifts between the different levels of these systems; exposure in a paper of the Seventies cycle of fragments of a self-portrait where the center of the survey anonymous artist is the time component of perception.

Nanni Balestrini, thanks to collage, is acquiring new meanings to materials taken from everyday communication - such as newspaper articles or advertising pages - where words become images and messages are processed.

Henri Chopin looks much the sound poetry as in the visual creating works in which the visual side is mixed with phonetic textures; show off, among others, one of his most rare made of tissue paper with cigarette burns.

Emilio Isgrò did erasure of the means for building new meanings and turn a negative gesture in a positive gesture on display but you chose to value a work of 1972 on emulsified canvas dedicated to the famous composer Frederic Chopin.

Arrigo Lora Totino using gimmicks such as repetition, overlap and the overthrow of words and phrases by shifting the focus on form and not on the meaning; the visual element of the printed letter becomes the source of its work; the choice for this group fell on milk recorded in the late eighties most rare and unusual compared to works on paper already the best known.

Gil J. Wolman with Article scotch summarizes all your questions on how to continue making art after its end - that is, after the Dada - and on how to rip to communication what it hides; on display so his baguette, the thin wooden sticks on which "Paste" strips fingerprint from printed newspapers that are the image of transmutation, the ritual passage from one world to another.

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