Abstract Concrete

After more than half a century from the early experimentation with materials of the Italian Alberto Burri, Enrico Baj and Roberto Crippa, the American Jakson Pollock, the French Jean Fautrier and Jean Dubuffet and the Catalan architect Antoni Tàpies, there is a vast and interesting contemporary art. The great freedom of choice of materials that characterizes the contemporary pictorial art requires a reflection on the material concreteness of the work contained in the abstract: the choice of material, before representing a redundancy, it becomes crucial, because the syntax.

There are authors with their works:
Toni Arch - Vito Aroma Mirarchi - Aldo Basili - Riccardo Battigelli - Marisa Bellini - Marco Bianchi - Valerio Capra - veline Cavallo - Mariarosa Chiarello - Marina Falco - Aurora Frola - Renzo Galletto - Massimo Grassis - Roberto Lucato - Anne Marie Marin - Silvia Petitta - Guido Rollandin - Mario Tonino - Gino Viani - Mirella Vigliarolo - Laura Zilocchi

The exhibition is a project ARTEres Consulting Bardini, body brainchild of Ivano Bardini and Ida Monopoly, each in its own jurisdiction, are turning to the world of art in its actuality to provide a container for art events, occasions Meeting between emerging artists and a wide audience not only quantitatively but also qualitatively, by whom also value the careful choice of locations in heterogeneous environments that allow you to interface with different cultural backgrounds but all equally significant.
The collaboration with the National University Library in Turin and the assistance of his Association of Friends, ABNUT, in fact, offer a stimulating cultural environment of sharing that allows to enrich the exhibition with the exhibition of works drawn from their own integrated collections of ancient and monographs and catalogs deepening of the authors of the past. Of particular value are cited among the historical works thumbnails taken from the parchment manuscript of Pliny's Naturalis Historia di Torino performed between 1463 and 1506, attributed to Pietro Guindaleri with possible interpolations of Andrea Mantegna.

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